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Download The Politics of the Soviet Cinema 1917-1929 (LSE Monographs in International Studies) eBook

by Richard Taylor

Download The Politics of the Soviet Cinema 1917-1929 (LSE Monographs in International Studies) eBook
ISBN:
0521222907
Author:
Richard Taylor
Category:
World
Language:
English
Publisher:
Cambridge University Press (July 31, 1979)
Pages:
230 pages
EPUB book:
1598 kb
FB2 book:
1332 kb
DJVU:
1595 kb
Other formats
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Rating:
4.8
Votes:
664


This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the . Series: LSE Monographs in International Studies. Paperback: 232 pages.

Richard Taylor is a professor of English at Kentucky State University in Frankfort. He has written a novel (Girty), four collections of poems, and Three Kentucky Tragedies.

Автор: Taylor Название: The Politics of the Soviet Cinema 1917–1929 .

Series: LSE Monographs in International Studies

Series: LSE Monographs in International Studies. Recommend to librarian. This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the authorities towards the cinema and the actual use to which the cinema was put. It demonstrates how, even at the height of the 'Golden Era of the Soviet film', the Bolsheviks repeatedly failed to organise the cinema successfully as an effective propaganda weapon. The book provides an illuminating background of the political history of the Soviet cinema in the twenties against which its most famous films can be re-examined.

This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the authorities towards the cinema and the actual use to which the cinema was put. It demonstrates how, even at the height of the 'Golden Era of the Soviet film', th. . The book provides an illuminating background of the political history of the Soviet cinema in the twenties against which its most famous films can be re-examined

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Target/Movies, Music & Books/Books/All Book Genres/History Books‎. product description page. The Politics of the Soviet Cinema - (Lse Monographs in International Studies) (Paperback).

Start by marking The Politics of the Soviet Cinema 1917-1929 as Want to Read . Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context.

Start by marking The Politics of the Soviet Cinema 1917-1929 as Want to Read: Want to Read savin. ant to Read. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important. What did he mean? This book looks at the Soviet cinema in its formative period from the political Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context.

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Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important

Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context.

The politics of the soviet cinema, 1917-1929. Mr. Taylor approaches the study of the Soviet film industry in a novel manner. New York and London: Cambridge University Press, 1979. He focuses on the opportunities and problems confronting film industry executives, includ- ing intraindustry relations and dealings with other Soviet and Communist executives. Taylor's treatment of the material and organizational problems that beset the Soviet film industry at the beginning is particularly useful.

Much has been written about Soviet literature and its political significance in the years following the October Revolution, but little has been written about the cinema in the same context. And yet in 1922 Lenin said, 'Of all the arts, for us the cinema is the most important.' What did he mean? This book looks at the Soviet cinema in its formative period from the political point of view, examining both the attitude of the authorities towards the cinema and the actual use to which the cinema was put. It demonstrates how, even at the height of the 'Golden Era of the Soviet film', the Bolsheviks repeatedly failed to organise the cinema successfully as an effective propaganda weapon. The book provides an illuminating background of the political history of the Soviet cinema in the twenties against which its most famous films can be re-examined.