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Download Unediting the Renaissance: Shakespeare, Marlowe and Milton eBook

by Leah Marcus

Download Unediting the Renaissance: Shakespeare, Marlowe and Milton eBook
ISBN:
041509934X
Author:
Leah Marcus
Category:
History & Criticism
Language:
English
Publisher:
Routledge (December 19, 1996)
Pages:
280 pages
EPUB book:
1352 kb
FB2 book:
1295 kb
DJVU:
1649 kb
Other formats
mbr azw rtf mbr
Rating:
4.3
Votes:
274


Renaissance and Reformation

Renaissance and Reformation. presents cogent and compelling discussions of individual works to support her arguments, and those discussions are often new and exciting .

Marcus, Leah S. (Leah Sinanoglou). Books for People with Print Disabilities. Trent University Library Donation. Internet Archive Books.

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Leah Marcus argues that & versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance.

Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте.

alan bu kitap bir Shakespeare uzmanı olan Bülent Bozkurt’un özenli çevirisi ve açıklayıcı sunuşuyla.

Romeo ve Juliet - William Shakespeare. 185 Pages·2007·622 KB·16,791 Downloads·Turkish·New! alan bu kitap bir Shakespeare uzmanı olan Bülent Bozkurt’un özenli çevirisi ve açıklayıcı sunuşuyla. 249 Pages·2010·765 KB·16,518 Downloads. A jealous hood, a jealous hood! he cackles at his wife, when she assures him that his errant Romeo and Juliet. Nuclear Physics: Exploring the Heart of Matter

Connecting readers with great books since 1972. Customer service is our top priority!

Connecting readers with great books since 1972. Customer service is our top priority! Price

Leah Marcus argues that & versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as. .

Unediting the Renaissance is a path-breaking and timely look at the issues of the textual editing of Renaissance works. Both erudite and accessible, it will be a fascinating and provocative read for any Renaissance student or scholar. Leah Marcus argues that `bad' versions of Renaissance texts such as Shakespeare's First Folio should not be viewed as mutilated copies of originals, but rather reputable alternatives encoding differences in ideology, cultural meaning and other elements of performance. Marcus focuses on key Renaissance works- Dr Faustus, The Merry Wives of Windsor, The Taming of the Shrew, Hamlet and poems by Milton, Donne and Herrick - to re-exmaine how editorial intervention shapes the texts which are widely accepted as `definitive'. Examining the cultural attitudes, fears and influences which influence textual editors, from the seveteenth century to the present day, Marcus sheds new light on a previously unexamined aspect of Renaissance studies. A lively critique of current theoretical practices, Unediting the Renaissance will shift the ways in which Shakespeare and his contemporaries are edited and read.