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Download Necessity, Freedom and Transcendence in the Romantic Poets: A Failed Religion (Studies in Art and Religious Interpretation) eBook

by Douglas Kenning

Download Necessity, Freedom and Transcendence in the Romantic Poets: A Failed Religion (Studies in Art and Religious Interpretation) eBook
ISBN:
0773483470
Author:
Douglas Kenning
Category:
History & Criticism
Language:
English
Publisher:
Edwin Mellen Pr (June 1, 1998)
Pages:
428 pages
EPUB book:
1193 kb
FB2 book:
1701 kb
DJVU:
1142 kb
Other formats
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Rating:
4.3
Votes:
350


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Douglas Kenning Necessity, Freedom and Transcendence in the Romantic Poets: A Failed Religion (Studies in Art and Religious Interpretation). ISBN 13: 9780773483477. Necessity, Freedom and Transcendence in the Romantic Poets: A Failed Religion (Studies in Art and Religious Interpretation).

Similar books and articles. Necessity, Freedom, and Transcendence in the Romantic Poets a Failed Religion. Douglas Kenning - 1998. Romantic Discourse and Political Modernity Wordsworth, the Intellectual and Cultural Critique. Richard Bourke - 1993. Romanticism and Religion the Tradition of Coleridge and Wordsworth in the Victorian Church. Romantic Theatricality Gender, Poetry, and Spectatorship. Judith Pascoe - 1997.

The Virginia Statute for Religious Freedom was drafted in 1777 (however it was not first introduced into the Virginia General Assembly until 1779) by Thomas Jefferson in the city of Fredericksburg, Virginia. On January 16, 1786, the Assembly enacted the statute into the state's law. The statute disestablished the Church of England in Virginia and guaranteed freedom of religion to people of all religious faiths, including Christians of all denominations, Jews, Muslims, and Hindus.

Five poets emerged as the main constituents of this movement – William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley and John Keats. The strength of their works lies undoubtedly in the power of their imagination. Indeed, imagination was the most critical attribute of the Romantic poets. Each poet had the ability to portray remarkable images and visions, although differing to a certain degree in their intensity and presentation. Nature, mythology and emotion were of great importance and were used to explore the feelings of the poet himself.

Studies in art and religious interpretation ; v. 23. Subject Term: English poetry - 19th century - History and criticism. Free will and determinism in literature. Transcendence (Philosophy) in literature. Necessity (Philosophy) in literature. Romanticism - Great Britain. Liberty in literature. This study traces a clear and fascinating narrative through the thought of the major British Romantic poets, from its rise in Wordsworth and Coleridge, through Shelley and Keats, to its decline with Byron. Make this your default list. The following items were successfully added. There was an error while adding the following items.

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Home Browse Books Book details, Romanticism and Transcendence: Wordsworth,. Romanticism and Transcendence: Wordsworth, Coleridge, and the Religious Imagination. He studies the role of religious experience in Wordsworth, using The Prelude as a privileged source. After comparing the conception of humanity and God in Wordsworth and Coleridge, Barth considers the role of religious experience and imagery in two of Coleridge's central poetic texts, The Rime of the Ancient Mariner and Christabel.

Estranged from traditional religious beliefs, the romantics looked upon . Romantic theology rests on the Romantic idea of selfhood and the divine immanent in the self.

Estranged from traditional religious beliefs, the romantics looked upon nature as the dwelling place of God. For them, God and the natural universe were one and the same. Religion has always played a significant role in the world of art, but in the romantic era artists seemed to almost forget about religion. Some still used angels and Christ in their work. Kant’s arguments about the individual’s ability to perceive God in ‘The critique of Practical Reason’ ( 1788), and ‘The critique of Judgement’ (1790) exert a profound impact on the Romantics.

But Human Existence and Transcendence is interesting not only for how it.

But Human Existence and Transcendence is interesting not only for how it helps us understand Levinas. Some of the sharpest exchanges in the book are between Marcel and Wahl on whether transcendence can be thought of in a nontheological wa. Wahl, however, wants to insist that the distinction between the religious and the secular has its beginning in an alterity that is never overcome, so much so that, as Hackett points out (xxxix), one is tempted to say that Wahl anticipates the theological turn of French phenomenology in the last half of the 20th century.

Transcendence and Beyond poses the classical questions of transcendence in a postmodern setting

Transcendence and Beyond poses the classical questions of transcendence in a postmodern setting. This article begins by showing how The End of Philosophy of Religion falls short at both ends, failing either to identify that which threatens to terminate a certain philosophy of religion or to offer an alternative set of goals for any philosophy of religion.

This work takes another look at the vexed question of freewill and determinism and the way they define our ethics. It traces a clear narrative through the thought of the major British Romantic poets, from its rise in Wordsworth and Coleridge to its decline with Byron.