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by Sandra Billington
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Mock Kings in Medieval S. Billington's study adds significantly to our knowledge about this practice
Sandra Billington, Reader in Renaissance Drama, University of Glasgow valuable for its recovery of the popular roots of a pervasive motif in Renaissance drama.
Sandra Billington, Reader in Renaissance Drama, University of Glasgow. Mock Kings in Medieval Society and Renaissance Drama. Lisa M. Klein, Ohio State University, Literature & History, third series 2/1 -. 'the book proposes exciting connections and offers readings which are often challenging and provocative.
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Sandra Billington Mock Kings in Medieval Society and Renaissance Drama. 371. Karen Newman Fashioning Femininity and English Renaissance Drama. 377. Political Thought and Theater in the English Renaissance. 379. Essays in Early Modern Culture. 387. Phillip J Ayres ed Sejanus His Fall by Ben Johnson.
Similar books and articles. Sandra Billington, Mock Kings in Medieval Society and Renaissance Drama. Vasileios Syros, E. Well Begun Is Only Half Done: Tracing Aristotle's Political Ideas in Medieval Arabic, Syriac, Byzantine, and Jewish Sources
Similar books and articles. Well Begun Is Only Half Done: Tracing Aristotle's Political Ideas in Medieval Arabic, Syriac, Byzantine, and Jewish Sources. Medieval Confluences 1; Medieval and Renaissance Texts and Studies 38. Tempe: Arizona Center for Medieval and Renaissance Studies, 2011.
Sandra Billington Mock Kings in Medieval Society and Renaissance DramaOxford: Oxford University Press, 1991.
Sandra Billington," Speculum 68, no. 2 (Ap. 1993): 480-482. Doing Things beside Domesday Book. Artificial Paleography: Computational Approaches to Identifying Script Types in Medieval Manuscripts. Of all published articles, the following were the most read within the past 12 months. The Enduring Attraction of the Pirenne Thesis. Kestemont et al. Who Owns the Money? Currency, Property, and Popular Sovereignty in Nicole Oresme’s De moneta. 1427 East 60th Street, Chicago, IL 60637.
It brings new insights to bear by exploring the plays in their relation to the culture and society of the period. Sandra Clark takes the reader through a compelling examination of how plays participate in and respond to changing anxieties, for instance about English nationhood, the monarchy, or the role of the family, sometimes raising difficult questions or offering challenges to accepted views.