Download Late Eighteenth Century Sonata (Eighteenth-Century Continuo Sonata) eBook
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Late Eighteenth Century Sonata book. Start by marking Late Eighteenth Century Sonata (Eighteenth Century Continuo Sonata, 10) as Want to Read
Late Eighteenth Century Sonata book. First Published in 1992. Routledge is an imprint of Taylor. Start by marking Late Eighteenth Century Sonata (Eighteenth Century Continuo Sonata, 10) as Want to Read: Want to Read savin. ant to Read.
ISBN 10: 0815301839 ISBN 13: 9780815301837. Publisher: Garland Science, 1992.
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Now, in Elements of Sonata Theory, musicologist James Hepokoski and music theorist Warren Darcy rethink its basic .
Now, in Elements of Sonata Theory, musicologist James Hepokoski and music theorist Warren Darcy rethink its basic principles. Considering not only sonatas but also chamber music, symphonies, overtures, and concertos, their study outlines a new, updated paradigm for understanding the compositional choices present in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries. It also lays down an indispensable foundation for those working with later adaptations and deformations of these musical structures in the nineteenth and early twentieth centuries.
Warren Darcy is Professor of Music Theory at Oberlin College Conservatory. Sonata-form" is the structure of the first movements (and many other movements) of almost every major piece of classical music from the Classical Era. Now a clear and comprehensive analysis of "sonata-form" has arrived, in the book "Elements of Sonata Theory. The most surprising feature to me is that this book is quite readable.
Электронная книга "Elements of Sonata Theory: Norms, Types, and Deformations in the ury Sonata", James Hepokoski, Warren Darcy. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Elements of Sonata Theory: Norms, Types, and Deformations in the ury Sonata" для чтения в офлайн-режиме.
Yet throughout both movements, Schumann uses an intricate web of tonal ambiguities, metrical dissonances, and unusual key relationships to recast the internal workings of these outwardly conventional sonata forms
This book analyses the sonata. Both building on and departing from earlier methods of analysis, it provides an in-depth examination of the sonata genre.
This book analyses the sonata. After establishing the normative features of the sonata, the authors examine how individual sonatas from Beethoven, Haydn, and Mozart both adhere to and deviate from those standards to a variety of effects. Co-authored by a music theorist and a musicologist, the book provides a foundational theory and offers insights on individual works from the Western canon.
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Elements of sonata theory: Norms, types, and deformations in the late. eighteenth-century sonata. New York: Oxford University Press. 1093/acprof:oso/9780195146400.