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Download Color and the Moving Image: History, Theory, Aesthetics, Archive (AFI Film Readers) eBook

by Simon Brown,Sarah Street,Liz Watkins

Download Color and the Moving Image: History, Theory, Aesthetics, Archive (AFI Film Readers) eBook
ISBN:
0415892635
Author:
Simon Brown,Sarah Street,Liz Watkins
Category:
Humanities
Language:
English
Publisher:
Routledge; 1 edition (November 19, 2012)
Pages:
270 pages
EPUB book:
1125 kb
FB2 book:
1736 kb
DJVU:
1174 kb
Other formats
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Rating:
4.6
Votes:
924


Simon Brown is Director of Studies for Film and TV at Kingston University, U. Daniela Currò is Project Manager for the Haghefilm Foundation and Film Preservation Specialist and Color Grader at Haghefilm Conservation.

Simon Brown is Director of Studies for Film and TV at Kingston University, UK. He has published widely on a variety of topics including the development of the early British film industry, early colour cinematography and contemporary American television. William Brown is a Lecturer in Film at Roehampton University.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologie This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film.

Introduction: Simon Brown, Sarah Street, Liz Watkins I. HISTORY. Chapter 1. Simon Brown, "The Brighton School and the Quest for Natural Color" – Redux. Chapter 2. Hilde D’haeyere, Out of the Blue: Color Inserts in Mack Sennett’s Comedy Shorts of the Late Twenties. Chapter 3. Charles O’Brien, Technicolor Song Sequences: Music and Color in King of Jazz (1930). Chapter 4. Anna Batistová, Glorious Agfacolor, Breathtaking Totalvision an. hanging Color Process in Czechoslovak Cinema at the Beginning of the "Scope" Boom. Chapter 5. Sarah Street, Glorious Adventures with Prizma.

This is an unusual choice because cover images for books on colour have a tendency to accentuate the drama and splendour of colour, displaying spectacular Technicolor moments and strong colour contrasts. A case in point is the anthology Color: The Film Reader, in which the cover image presents the green hands of the Wicked Witch of the West reaching for Dorothy's ruby slippers in The Wizard of Oz (Victor Fleming, 1939). History, Theory, Aesthetics, Archive. Contributors from diverse film studies. First Published 2013. Simon Brown, "The Brighton School and the Quest for Natural Color" - Redux. Hilde D'haeyere, Out of the Blue: Color Inserts in Mack Sennett's Comedy Shorts of the Late Twenties

Introduction: Simon Brown, Sarah Street, Liz Watkins I. Hilde D'haeyere, Out of the Blue: Color Inserts in Mack Sennett's Comedy Shorts of the Late Twenties. Charles O'Brien, Technicolor Song Sequences: Music and Color in King of Jazz (1930) Changing Color Process in Czechoslovak Cinema at th. ONTINUE READING.

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Color and the Moving Image: History, Theory, Aesthetics: Archive (New York, Routledge, 2012) more. The Brighton School and the Quest for Natural Color – Redux in Simon Brown, Sarah Street and Liz Watkins (ed., Colour and the Moving Image: History, Theory, Aesthetics, Archive ( New York: Routledge, 2012) more.

Psychoanalytic Film Theory and The Rules of the Game. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition. Cultural Studies: A Critical Introduction Author(s): Simon During Publisher: Routledge, Year: 2005 (1 MB). Author(s): Todd McGowan, Todd McGowan. Series: Film Theory in Practice Publisher: Bloomsbury Academic, Year: (1MB). Author(s): Torben Grodal. Publisher: Clarendon Press, Year: 1999 (28MB). The Soul of Film Theory. Author(s): Sarah Cooper (auth. Publisher: Palgrave Macmillan UK, Year: 2013 (2MB). The Documentary Film Reader: History, Theory, Criticism.

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color―such as Hitchcock, Jarman and Sirk―as well as others whose use of color has not yet been explored in such detail―including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.